The original band of four loyal contestants can't quite believe they've aged ten years since innocently agreeing to take part in an online quiz that does absolutely nothing to contribute to world peace, famine reduction, saving whales or the pursuit of knowledge.

Over the years the number of contestants has increased in leaps and bounds from the first four trailblazers to a mind-boggling eight, all of whom regret the decision to take part every day of their bloody lives.

So relive those heady days of yesteryear in 2005 and 2006 when Jonathan Ross would do anything for a few bob and the GTI awards presentation evenings were the envy of the world.


Monday, 13 February 2012

GTI Awards 2006 - The Big Night - Chapter 5


CHAPTER FIVE

With the GIT’s table in total disarray once more, Mrs. Flagg slowly rushes over with Mrs. Wickham to attempt to quickly clean up before the presentation of the next award. This is proving to be more difficult than they expected as Joe, Marty and The Count are all sitting slouched in their chairs with dazed looks and glazed expressions. They can’t be persuaded to move out of the way and the other two GITs, Pants and Crawfie, although so far relatively unscathed from the previous waves of violent activity, are in no mood for conciliatory gestures.

While The Count sits staring into space dreaming of Claire Grogan (just as she looked in ‘Gregory’s Girl’), singing ‘Happy Birthday, Happy Birthday’ tunelessly to himself, Pants and Crawfie are arguing amongst themselves over who to humiliate next. With everything still left to play for, Crawfie is trying to persuade Pants that if they can eliminate the other three GITs from the proceedings the ‘King GIT’ award would be theirs for the taking.

Sounding more like ‘Mad’ Frankie Fraser with every minute that passes, he whispers to Pants, “Keep shtum, mate, but I reckon we could get our ‘ands on the King GIT award if we bides our time and acts cute abaht what’s goin’ on ternight. The uvver free losers ‘ave got no chance if we can keep up the pressure on ‘em. Look at ‘em. They’ve all got wimmin problems ‘aven’t they? No, I don’t mean wimmin’s wimmin problems, I mean wimmin problems, and that, as we know, is a recipe for disaster ain’t it? The Count’s pining for ‘is lost opportunities wiv that bint Claire Grogan (just as she looked in ‘Gregory’s Girl’), Joe’s dreaming of his missed liaisons wiv that comely Yaldin’ country lass or the Yaldin’ comely country lass as she’s sometimes known as and Marty’s still ‘opin’ for a reconciliation with the same said comely country Yaldin’ lass which ‘e knew ‘er as. They’ll all start losin’ it sooner or later, speshly if we keep the pressure on ‘em. What d’yer fink Pants?”

“Sorry,” says Pants, “what did you say? I wasn’t listening. I think I’m in love with prostitute number three, I can’t get the way she wears her T-shirt out of my mind.”

Rubbing his hands and twirling his false moustache (not at the same time, obviously), Crawfie cackles and putting the back of his hand to the side of his mouth he whispers to a startled Mrs. Flagg, “Heh, Heh, Heh. Even Pants is ‘avin’ wimmin trouble now, I’ve got it made. The King GIT award is mine for the takin’. It’s mine I tell yer, it’s mine. It’s mine, it’s mine, it’s all mine. It’s mine, it’s –“

Mrs. Flagg slaps him round the face and Crawfie immediately punches Mrs. Flagg back. As Mrs. Flagg reels across the room into poor old Mr. Roundtree who drops his umpteenth tray of Guinness, Crawfie shouts across the room, “You slag! Don’ ever touch me again. D’yer ‘ear me?”

The Count, startled out of his reverie with Claire Grogan (just as she looked in ‘Gregory’s Girl’), tries to calm Crawfie down by offering him a cigar. “I say old boy, crikey, one’s not supposed to hit a young lady like that. Here have a Monte Cristo or if you prefer a Cohiba Cuban to take your mind off it,” and rather nervously guides Crawfie back to his chair while Mrs. Flagg is attended to by the two on-duty St. John’s ambulance men.

With the GIT’s table now looking slightly more respectable (it’s surprising what a difference a clean tablecloth and a new doily under the pickled egg jar can make), Mr. Biggins once more rushes onto the stage in another remarkable display of speed crouching prompting gasps of admiration at his technique from the audience and even a few isolated ripples of applause. Adjusting Mr. Ross’s microphone, he speedily crouches off again.

Mr. Ross continues, this time sounding unbelievably like Freddy ‘Parrot Face’ Davis.

“Ladies and gentlemen, before I pwesent the next award, it’s cabawet time once more. Please welcome on stage, Herb Williamson and his Collapsing Piano.” There’s a loud crash, a tinkling noise and a cry of “Oh Shit!” from backstage. Mr. Ross frowns as he puts his finger to the ear piece he’s wearing and says, “Sowwy ladies and gentlemen, Herb’s collapsing piano has collapsed too early and his performance has been cancelled. What a shame. I’m told that his act is weally something special. Never mind, on with the show. Our next award is the ‘Sainsbury’s Nectar Award’ for the person who has twied, unsuccessfully, to accumulate more bonus points than anyone else,” he pauses, ”…and the nominees are Pants, Joe, Cwawfie, Marty and The Count.”

At the mention of The Count’s name a bread roll hits him squarely on the back of the neck. “Please mater, it all happened a long time ago old gel, let it go, let it go,” cries The Count to his mum as she gets ready to follow it up with a jar of pickled eggs.

There’s a clatter and crash from the back of the room as another poor sod bends forward too far on their bar stool to reach their low coffee table and loses balance.

“And the winner is…Cwawfie!”

Crawfie, who at this particular moment is climbing half way through the frosted glass window into cubicle one of the Gents, suddenly hears his name, climbs back out and races back into the club waving his arms and wriggling his hands above his head shouting, “Yes, Yes, Yes.” His sheer exuberance causes him to mis-time his run right past the front of the stage and straight out of the front door of the club where he bumps into the raised bottom of the comely Yalding country lass who’s bending down picking up another can of Tennents from the pile at her feet.

Without turning round she says,”Ooh, you are awful but I like you whoever you are.”

Crawfie looks at the lovely comely country Yalding lass, looks towards the door of the club where his name was still being repeated by Mr. Ross and for one moment is torn between the two. Glancing over his shoulder he decides to take advantage of the situation and, pressing himself against the comely Yalding lass he quickly unbuttons his shirt and slowly moves his hand down her arm until he reaches the can of Tennents. He yanks it out of her hand, slips it inside his shirt and makes a dash for the club entrance. 

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